Tuesday, August 30, 2011
sea, sky (own work, 2010, 120 x 122 cm, click on the image for an enlargement)
i would like to post some fairly recent landscapes, now that i've been freed from the mathematical project `natural topology' (see one-but-previous post). however, i just realized that images will be better findable on the web if i dedicate a post to each image separately.
this is more work, but it also gives opportunity to describe the paintings separately, which should be added benefit. i just have to overcome my usual reluctance to add words to a painting.
the above painting is characteristic of my continuing resolve to paint `as is'. i don't know why a painting works or not, i just know when it does. and i know that by allowing my subconscious intuition free rein, eventually a painting will start to work. even though this may be a laborious and time-consuming process.
i think that i'm in the process of reducing some aspects of landscapes to their essence. this is probably an inevitable development, and i'm looking forward to start a new painting. each time it surprises me how strongly paint can speak, even when reduced to simple forms and strokes.
man (own work, 1985-2005, 40 x 60 cm (approx.), click on the image for an enlargement)
the above drawing (of which i have only a poor photograph, and which has been slightly altered since) was stolen from the corridor in my studio building, last june. by someone with a key, even, which makes it all the more painful. i have since removed my paitings and drawings from the corridor.
obviously someone thought the drawing beautiful enough to steal. but for me it is a unique work, which i created primarily in art school (art academy utrecht) and which i later retouched and slightly modified for more effect. it was not for sale, because it is a dear example of how i started out as an artist.
i cannot put into words how cowardly and callous i find this theft. perhaps i will write some more posts on art theft in general.