fukushima: our problems hoisted on future generations

the cleaning up of the millions of gallons of radioactive water at fukushima (which are a waste result of the attempts to cool the daiichi nuclear plant with water to prevent meltdown) could take decades, according to expert opinions reported in the LA Times, if it can be resolved at all.

these news items have a tendency to be understated, because the nature of news is like an extreme version of the nature of fashion, and seldom does public attention linger on any one issue if there are no `dramatic' turns of events.

but since we were discussing these topics on this blog, i felt i should mention this hoisting of our problems on future generations. the cleaning of this nuclear wastewater is actually but a minor issue compared to the nuclear waste that we are creating all over the world, for which we have no long-term solution either.

so, as an artist, perhaps you can see how serious i am on this issue when i say: forget about art, but do not forget about the next generations. who gave us the right to pollute the world in an irreversible manner for eons to come?

nuclear energy & earthquake japan

i am very sorry to see my very recent admonishments about the dangers of nuclear energy viz. natural disasters proved true by the completely dreadful earthquake which occurred last week in japan. i hope the people there will manage to contain the damage, and overcome this terrible adversity.

i also hope this will finally set people thinking about our completely irresponsible way of creating nuclear pollution for ages and ages to come.

when will we learn that we should not burden the next generations with our problems? when are we going to say: the buck stops here?

nuclear energy & art 2 (into eternity)

[continued from the previous post]

apart from its ominous content, i found michael madsen's documentary `into eternity' quite artistic, showing people in a natural setting, answering well-structured questions, but at the same time painting a contradictory canvas of the issue and human arrogance/insecurity at the same time.

still, i was even more triggered by one of the main problems posed in the documentary:

Once the repository waste has been deposited and is full, the facility is to be sealed off and never opened again. Or so we hope, but can we ensure that? And how is it possible to warn our descendants of the deadly waste we left behind? How do we prevent them from thinking they have found the pyramids of our time, mystical burial grounds, hidden treasures? Which languages and signs will they understand? And if they understand, will they respect our instructions? While gigantic monster machines dig deeper and deeper into the dark, experts above ground strive to find solutions to this crucially important radioactive waste issue to secure mankind and all species on planet Earth now and in the near and very distant future.

especially of course the question: which languages and signs will people still understand after 50,000 years?

in the documentary the conclusion seems to be (and i agree) that visual language (art!) is so universal for humanity, that it can be assumed that even 50,000 years from now people will still understand parts of well-executed comics, cartoons, drawings and paintings. other languages and communication mechanisms appear to be rather less time-resistant. many old languages can no longer be understood by us, but the pictorial representations are still easily recognized.

however, in the special case of radiation, one has to wonder if one can visualize radiation if the phenomenon is outside the scientific awareness of the people involved. the second question is: will any visual sign/representation be endurable enough to survive such an onslaught of time?

this ties in to the earlier discussion this year about the importance of art and art education: since our thinking has a large visual component, our ideas can often be expressed far clearer in pictures than in words. so here you have an example of a real challenge to art: can we visualize (the presence of) radiation in such a way that even people with little or no scientific background will understand its dangers and enough of its working mechanisms?


trailer from `into eternity'

nuclear energy & art: into eternity

last week i saw a documentary by michael madsen called `into eternity'. let me cite from wikipedia:

Into Eternity is a feature documentary film directed by Michael Madsen.[1] It follows the digging and pre-implementation of the Onkalo nuclear waste repository in Olkiluoto, Finland. Director Michael Madsen is questioning Onkalo's intended eternal existence, addressing a remotely future audience. More importantly, this documentary raises the question of the authorities responsibility of ensuring compliance with relatively new safety criteria legislation and the principles at the core of nuclear waste management.[2]

Background information
This movie is the only full-length documentary about nuclear waste underground repository storage solution. The concept of long-term underground storage has been explored already from the 50's. The inner part of the Russian doll-like storage canisters is to be composed of copper. Hence in the case of Onkalo it is tightly linked to experimentations on copper corrosion in running groundwater flow.[3] Application for the implementation of spent nuclear fuel repository was submitted by Posiva Oy in 2001. The excavation itself started in 2004. With a total of 4 operable reactors providing 25% of the country energy supply, Finland ranks 16th in the world nuclear power reactors country list topped by USA (104 reactors), France (58 reactors) and Japan (54 reactors).

Synopsis

Every day, the world over, large amounts of high-level radioactive waste created by nuclear power plants is placed in interim storage, which is vulnerable to natural disasters, man-made disasters, and societal changes. In Finland, the world’s first permanent repository is being hewn out of solid rock – a huge system of underground tunnels – that must last the entire period the waste remains hazardous: 100,000 years.

Once the repository waste has been deposited and is full, the facility is to be sealed off and never opened again. Or so we hope, but can we ensure that? And how is it possible to warn our descendants of the deadly waste we left behind? How do we prevent them from thinking they have found the pyramids of our time, mystical burial grounds, hidden treasures? Which languages and signs will they understand? And if they understand, will they respect our instructions? While gigantic monster machines dig deeper and deeper into the dark, experts above ground strive to find solutions to this crucially important radioactive waste issue to secure mankind and all species on planet Earth now and in the near and very distant future.

before talking about the artistic aspects, once again, dear reader, i wish to draw your attention to the ominous content of the documentary, and the enormous implications of our current involvement in nuclear energy.

i repeat from an earlier post: we are apes playing with fire. but even that is a weak metaphor. we are apes playing with Eternal Pollution, we are producing nuclear waste that will pollute our world for hundreds of thousands of years, and we DO NOT KNOW HOW TO SOLVE THAT PROBLEM. we also have currently no nuclear waste storage facilities which will withstand natural disasters, so the problem is not only in the future, it is here and now. (and don't forget all the incidents that happen in nuclear plants, please don't think that they are safe because they aren't, we could easily have another chernobyl. and even if that could be addressed, what do you think the greatest nightmare of anti-terrorist agencies is?)


radiation map of chernobyl in 1996, 10 years after the chernobyl disaster (image from the cia factbook, click on the image for an enlargement)


chernobyl seen from the abandoned town of pripyat in 2007, 20 years after the chernobyl disaster (photo by jason minshull, click on the image for an enlargement)

[to be continued]