extraneous work (vii): storing art, transporting art, restoring art

most people don't stop to consider that many sculptures are fragile, and that the storage and transport of such sculptures is not trivial. even during shows it happens that sculptures get damaged by --- i have no suitable adjective --- visitors. over the past 32 years, strangely enough i've observed that storage is the hardest. because no storage is permanent (for me, with limited funds), which means that sculptures need to be disassembled, repacked and transported... and this is where the loss of components and damage hazard creeps in. i have lost around 10 sculptures completely, in this way. and about the same number of sculptures has been damaged to the point where serious restoration was necessary.

storing --> restoring

as an example of fragile sculptures consider:


man woman relation (20 x 15 x 15 cm, own work, 2005)


the slow triumph of death (own work, 2010-2011, 30 x 15 x 30 cm, click on the image for an enlargement)

but also the ceramic sculptures tend to be fragile and accident-prone. so one learns how to disassemble, reassemble and package sculptures. and one learns how to restore. restoring paintings and drawings actually seems to have become a fruitful artistic sideline for me! (see the series on finishing old work). so then the word `extraneous' must be dropped. but it was meant to be a bit provocative in the first place, since i think all these endeavours are fruitful, and in some sense related. just wanted to share something of all the hidden aspects of being an artist.


xerophyte (26 x 30 cm, own work, 1994-2013, click on the image for an enlargement)

the unfinished original of the above drawing had completely faded, due to my using iodine as ink, until only the outline of the original was visible. now the original was left unfinished since i did not know how to proceed with it. restoring always means reconsidering, and this time i chose a simple background to better focus on the plant and its supporting table itself.

i like to draw plants, but it demands some patience...all those leaves (mother nature at all times remains the greatest artist).i can't resist another drawing of a xerophyte, since also in this drawing the supporting table plays a major role:


xerophyte ii (20 x 30 cm, own work, 2010, click on the image for an enlargement)