kwaaknijd uses the footages in a synthesis apotheosis of his hidden-in-plain-sight series, to confront both art experts and the general public with the increasing cryptogenetic content and appearance of modern art, where only the text tags on the wall tell us what is art and what not.
however, for obvious reasons, the videoregistration of the using of the toilets in his carefully painted and designed pub(l)ic art space / hidden in plain sight xxiii is a privacy violation in the eyes of citoyens contre la contresurveillance (cccs).
but cccs also fights the enregistration of say, people trying to clean up the debris in rectangular spatial composition with debris / hidden in plain sight xlvii , and then finding out the debris won't budge (since it is glued to the floor) and then noticing the small sign on the wall saying: don't sit on the artwork, do not touch - above the attributal tag with title and artist.
kwaaknijd has repeatedly stated that he is glad with the law suits, since he considers the purpose of art to be to create controversy. art to kwaaknijd is only worthwile as
`anything to shake up the rusted beliefs and mindsets of the public and the art world in particular. we must continuously create new synapses in the brains, faster than our forebears, or we will end up like our forebears and mess up our world. forget esthetics, forget beauty, forget understanding. we must act art, to disrupt and regroup'.
