since about 5 yrs in the netherlands there is an initiative `kunstweek' (art week), which more or less out of the blue claims an election of `dutch artist of the year' (kunstenaar van het jaar).
of course, this has to be a joint effort from `public' (read internet) and `experts'. this year's expert panel contains some 100 names, with ... 0 visual artists among them. i am not joking, but it is all the more funny!
this is just to illustrate my point that artists have been manouvered to a secondary position when it comes to valuation of art. museum directors, journalists, curators, gallery owners, art historians...pull the strings.
can one expect alternative insights from such an election? or will it all be about artists already `discovered' getting some extra gpr...i leave to the reader to guess and smile.
after i wrote this, i immediately got a rather negative comment from the director of this art week, claiming that i had made many mistakes. however, as i pointed out all the information that i used came directly from the website of www.kunstweek.nl. i got no reaction whatsoever. see my original post with comments
why bring this up? well, again the generalized pagerank (gpr) machine for promoting the art elite is running, and i'm getting emails and other messages regarding `kunstweek 2009' and another election of `dutch visual artist of the year'.
so, naturally, i looked to see if perhaps this year the panel of experts which selected the 90 eligible artists contains any visual artists... this year they say, and i quote literally from www.kunstweek.nl (in translation):
Question: can I become a member of the expert panel?
Answer: Yes, you can, if you have a professional relationship with art and you are not a visual artist. The expert panel consists of around 100 museum directors, art critics, art collectors, conservators, art teachers from art college, and other art experts.
well, then please explain to me why my post above was inaccurate?
dear artists and other art lovers, truth has its own particular ring to it. the interesting question then becomes: why is it so unwelcome, the observation that artists are systematically manouvered into a secondary position? why try and deny this?
this is undoubtedly connected to the observation that on the societal level, quality & art are determined by elite positions, which are strongly protected. a reason why i am really happy with the internet and the blog opportunities, because now at least it is possible to voice dissent, and be heard. before internet, also the publishing opportunities were controlled by the elite.
generalized open source. open publishing opportunities. i sincerely hope that this will bring about a change in the art world and outside of it!
