art, zen, inner compass & bioaesthetics

hakuin ekaku, mount fuji and eggplants

so what makes the above painting/drawing tick? i'm not sure it even ticks for me. must see it for real. these internet reproductions definitely fall short. am i strange to notice a large similarity with matisse?

somewhere, i think many famous `modern' artists (say past 1900) have been striving to attain some purification/simplification, the results of which have zenlike qualities (imnsho).


henri matisse, music

zen, experiencing of reality and quality before rationalization sets in. art...can also be experiencing of reality and quality before rationalization sets in.

but what does this have to do with bioaesthetics? i think it depends on points of view, definitions also (always the definitional problem which has to be dealt with if you are limited to words). but modulo that, there is much to be said for the idea that certain visual effects/images/colours/symbols/... work on our limbic system, pre-rationally or at least para-rationally.

but is this a static phenomenon? i'm convinced this is not so. developing visual sensitivity, developing visual libraries, developing visual emotionality...is both an ongoing cultural process as an ongoing individual process.

an insect reacting differently to different colours of flowers already shows us that bioaesthetics has a solid basis in biology. by solid i mean, verifiable and easily understandable. to skip to the human level, one only has to look at movie stars...they are invariably quite above average handsome/attractive/beautiful. well, according to what handsome/attractive/beautiful means i suppose. but bioaesthetically, there is quite some knowledge at what human beings consider to be handsome/attractive/beautiful. and again this knowledge is solid in the above sense. symmetrical face, good physical shape, good sexual shape. all is usually explained in terms of the current ideas of `offspring optimization' or `the selfish gene' and similar.

but you and i know that beauty is just skin deep...or is it? what about beauty of the heart, the mind, the soul? many artists appeal to the bioaesthetic kindergartenlevel. nice face, nice tits, nice ass & pussy, even the abundance of the naked female torso in art (headless! limbless! to me associating mostly with brutal crime) which can only -is there another explanation?- appeal to our reproductive sex bioaesthetical level. yet a stiff dick is taboo, and explicit sexual imagery is labeled pornographic and shunned.

one would not believe, i really mean this, how much an artist who addresses higher levels (although, what is higher, but see this in the light of higher mind functions, higher emotions etc) of bioaesthetics has to explain to `lay' people, in comparison to artists who produce yet the next mutilated female body.

so, inner compass? yes, of course. it is not in any sense objectifiably better (by its nature!) than generalized pagerank - outer compass, but the balance in modern society between inner and outer compass to me seems very much in need of restoration.

quality & art 7: bioaesthetics & neuroaesthetics

ok, i googled a bit on the theme of the previous post, and whaddayaknow, my thoughts fit in with an emerging branch of science called bioaesthetics. a quote from martin skov on http://brainethics.wordpress.com/2006/09/ :

Neuroaesthetics can be thought of as a part of a more general study of art and aesthetics as a biological phenomenon. I will follow other proponents of this view (such as Tecumseh Fitch) in calling this broader approach bioaesthetics. The overall goal of bioaesthetics is to answer the three basic biological questions – what?, how?, why? – in regard to aesthetic behaviour in humans: what is art and aesthetics?; how does art and aesthetics spring from the brain?; and why did this cognitive ability evolve in humans? Neuroaesthetics is predominantly concerned with question number 2. In the list that follows below I will also mention a number of books that discuss the other two questions.

martin skov's piece makes for good reading, and is relevant to the thought train here. please take the time to read the link!

but pirsig's thoughts on quality and art also merit more thinking. i'm still reading zen and the art of motorcycle maintenance and its views are surprisingly recognizable. in fact pirsigs defines art as a high-quality endeavor. (quality comes before rational thought, quality is zen-like, being the source of everything we experience, and more relevant remarks i would like to cite here but it really is better to read the book. still, the passage coming before some of these conclusions is a must:)

[zen and the art of motorcycle maintenance, end of part ii:]

Quality...you know what it is, yet you don't know what it is. But that's self-contradictory. But some things are better than others, that is, they have more quality. But when you try to say what the quality is, apart from the things that have it, it all goes poof! There's nothing to talk about. But if you can't say what Quality is, how do you know what it is, or how do you know that it even exists? If no one knows what it is, then for all practical purposes it doesn't exist at all. But for all practical purposes it really does exist. What else are the grades based on? Why else would people pay fortunes for some things and throw others in the trash pile? Obviously some things are better than others, but what's the "betterness"?...So round and round you go, spinning mental wheels and nowhere finding anyplace to get traction. What the hell is Quality? What is it?

i've been finding some traction -i believe- in the juxtaposition of generalized-pagerank quality vs. inner-compass quality.

[i also believe that many people who pay a fortune for certain art works do so more out of gpr-motivation then out of inner compass motivation. i believe many art `experts' wouldn't dare rely on their inner compass, waiting instead for enough gpr-buzz to base their valuations on. its a rembrandt, therefore it must be a wonderful painting!]

but pirsig's approach yields a more fundamental result: motorcycle maintenance can be art also. this at least goes a good way in explaining the difficulty for modern art to be sharply defined.


hakuin ekaku, mount fuji and eggplants


frank waaldijk & unknown artistbuddha, enlightenment, nature, 2006