notre dame des anges (again)

notre dame des anges with shells (own work, 2013-2014, 55 x 80 cm, click on the image for an enlargement)

well, i worked hard on this painting, and yet it's like i'm still feeling my way around... perhaps this is a sign of finally reaching a stage where the result is not in my own hands. this might seem strange for an artist, but if i really want to reach other planes, then at some point i must allow for results that are difficult to judge from where i'm currently standing.

which is why i think the painting is finished. it is what it is, and in reality it touches me with its colour, form, and expression (although the photo doesn't capture all of this very well).

[repeated from previous posts: the woman portraits made in this series share the name `notre dame des anges´. this is a reference to the `medieval´ spirituality i mentioned above. but the portraits are of course not a depiction of maria. they are intended as portraits of contemporary women emanating this type of spirituality which i find hard to describe.
in this series i experiment with all sorts of visual elements. you can see that i do not shy away from outsider-like techniques. at the same time, i'm also studying the human form and face, as a means of expressing spirituality, vulnerability, openness, unarmedness etc.]

art & spirituality 4: mare de déu amb el nen dormint

mare de déu amb el nen dormint (own work, 2009-2013, 50 x 40 x 60 cm, click on the image for enlargement)

`mother of god with the sleeping child' would be a too literal translation of the catalan title, see this previous post on some background of mare de déu.

you will notice that this sculpture is very different from the earlier statuette `sketch' that i made. the statuette has an active and playful jesus, joyfully interacting with maria. here, jesus is sleeping and maria seems in compassionate contemplation of ... the human condition, if i may interpret for you.

yet there are also great similarities between the two sculptures. the painting technique, and the ideas behind it for instance. in the painting, as in the form, i was looking for non-classical emotive expression.


detail of mare de déu amb el nen dormint (click on the image for enlargement)


detail of mare de déu amb el nen dormint (click on the image for enlargement)


detail of mare de déu amb el nen dormint (click on the image for enlargement)

again, in this madonna sculpture mother and child are not of the same skin colour. in my own small way, as a mostly humble artist, i try to comment on issues/conditions in society that i would like to see improved. one of those issues is the to me absurd one of racism. we are all human, we are one mankind. i have tried to put that feeling in this sculpture, as well as in its smaller predecessor madonna statuette (where i reversed the colours of mother and child).

about the painting: it was a long and arduous task. to achieve lustre and depth, many semi-transparent layers are needed. each layer requires a deft application, to maintain the same fluidity of the paint which is quick-drying. yet there are difficult nooks and crannies in this sculpture, where the brush can hardly reach. with my rsi this was really taxing. more taxing however was to achieve a harmonious balance of colours, with the spiritual atmosphere that i wanted.

some more pictures to give a more complete view (although photos really do not capture the serenity of this work):


side view of mare de déu amb el nen dormint (click on the image for enlargement)


side view of mare de déu amb el nen dormint (click on the image for enlargement)


detail of mare de déu amb el nen dormint (click on the image for enlargement)


side view of mare de déu amb el nen dormint (click on the image for enlargement)

art & spirituality 3: vortex of life

vortex of life (own work, 2013, 21 x 30 cm, click on the image for enlargement)

as an artist, i try to create images that reflect on life, on society, existence, i don't know. life, existence, the universe, they are a complete mystery to me. and many others, i presume. still, we try to create some meaning, some order in our lives. even, preferably, security and control over our situation.

but in my perception, we are so tiny and insignificant, and our real influence on events is often negligible. we are simply swept along, with some luckier than others. is it any wonder that we cling to each other, and to religion?


detail of vortex of life (own work, 2013, 21 x 30 cm, click on the image for enlargement)

art & spirituality 2: mare de déu amb el nen sostenint una poma (cont.)

[continued from the previous post, which you should read first]

so as promised a bit more about the sculpture itself. its form arrived in 45 minutes, and i wanted spontaneity all the way. the final painting i took up 2 years later than the preliminary painting (itself 2 years later than the clay form). in the painting, as in the form, i was looking for non-classical emotive expression.


detail of mare de déu amb el nen sostenint una poma (click on the image for enlargement)


detail of mare de déu amb el nen sostenint una poma (click on the image for enlargement)


detail of mare de déu amb el nen sostenint una poma (click on the image for enlargement)

you may have noticed that mother and child are not of the same skin colour. in my own small way, as a mostly humble artist, i try to comment on issues/conditions in society that i would like to see improved. one of those issues is the to me absurd one of racism. we are all human, we are one mankind. i have tried to put that feeling in this statuette, as well as in its larger successor madonna statue (where i reversed the colours of mother and child).

the apple (`poma' in catalan) in traditional iconography stands for the original sin, or so i gather. jesus accepting the apple is taken as jesus accepting mankind's sins as well as his fate regarding this (the cross, to wash away these sins). here it should be taken as nothing but joy of life, or if you wish to be philospohical: the joy of the fruit of knowledge.

illustrating the traditional apple iconography, behold below the beautiful middle panel of the portinari triptych by hans memling (1430-1494, ironically the best reference on wikipedia is the catalan hans memling page!):


hans memling, mary and jesus (middle panel of portinari triptych, click on the image for enlargement)

let me end this post with a rear view of the statuette:


rear view of mare de déu amb el nen sostenint una poma (click on the image for enlargement)

art & spirituality: mare de déu amb el nen sostenint una poma

mare de déu amb el nen sostenint una poma (own work, 20 x 20 x 30 cm, 2009-2013)

mare de déu means `mother of god' in catalan, and refers to maria as mother of jesus (see also roman catholic mariology). avid readers of this blog may recall my earlier posts on mary and jesus, and the wonderful `mare de déu' romanic/gothic sculptures to be found in catalunya, especially in some barcelona museums like the museu frederic marès and the museu nacional d'art de catalunya.

in hindsight, i probably only posted some images of these sculptures (as illustration of the wonders of anonymous artists), and did not sing their praise as extensively as i should have. let me correct that omission now: i find many of these polychrome madonna sculptures from the 12th-16th century to be absolutely marvelous, especially the ones made in catalonia.

what i find so marvelous is their individuality, their lack of superficial symmetrical-face-beauty, their playfulness, seriousness, compassion...expression i suppose. and of course the dedication with which they were crafted and painted. together, this achieves for me a level of spirituality which really captivates me.


mare de déu amb el nen (from palera parish, anonymous catalan artist, beginning 15th century, now in museu d'art de girona)

anyway, my first sketches to create such a sculpture myself (!) date from 1996. they were intended for a wooden sculpture, but i never found the time and energy to start such this assiduous undertaking. take a look at this wonderful video from the getty museum on spanish polychrome sculpture to get an idea what i'm talking about!



well. i do not mention very often that i am usually in poor health, but this is a major reason for me not to undertake everything that i would want. i have found a way around though, because i have been making polychrome clay sculptures for many years now. a few years back i decided to make a fair-sized polychrome clay `mare de déu'.

but first i made a quick sketch in clay (45 minutes). i liked the sketch so much that i decided to paint it as well. the first unfinished version i lent to a dear friend on his sickbed, which lasted almost 2 years. after his death, i turned to finishing the polychrome. the result you see above. i will write more about the sculpture itself in the next post.

[to be continued]

what is an outsider artist? am i outsider in any sense? 2 (intermezzo in the miscellaneous series)

nek chand saini, monkeys in the rock garden of chandigarh (photo giridhar appaji nag y)

(continued from the previous post) from wikipedia on outsider art:

The term outsider art was coined by art critic Roger Cardinal in 1972 as an English synonym for art brut (French: "raw art" or "rough art"), a label created by French artist Jean Dubuffet to describe art created outside the boundaries of official culture; Dubuffet focused particularly on art by insane-asylum inmates.

While Dubuffet's term is quite specific, the English term "outsider art" is often applied more broadly, to include certain self-taught or Naïve art makers who were never institutionalized. Typically, those labeled as outsider artists have little or no contact with the mainstream art world or art institutions. In many cases, their work is discovered only after their deaths. Often, outsider art illustrates extreme mental states, unconventional ideas, or elaborate fantasy worlds.

Outsider art has emerged as a successful art marketing category (an annual Outsider Art Fair has taken place in New York since 1993). The term is sometimes misapplied as a catch-all marketing label for art created by people outside the mainstream "art world," regardless of their circumstances or the content of their work.

well...it goes to show, i think, that noone really knows a workable definition of outsider art.

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for me personally, there are many situations in which i feel an outsider. and this is linked to mental health issues too, specifically depression. the way i see art and create art is a reflection of how i see life, society, nature,... by which i mean to indicate that art most often has a spiritual meaning to me.

i think much in our society operates on unspiritual grounds, to put it mildly. homo homini lupus est, dog eat dog, you know the drill. these unspiritual mechanisms are just as prevalent in the art world. and i cannot really bear with them, as i have found to my detriment over the years.

therefore, my understanding has become that i am in quite some measure an outsider artist. like i stated in the previous post, this doesn't change the art one pixel, but it helps me to embrace the direction in which my explorations take me. i have however no inclination to use it as a marketing strategy, for various reasons.

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here an interesting fragment of a documentary interview with jean dubuffet on art brut (in french)

notre dame des anges 2 (spiritual woman portraits)

notre dame des anges (radiant) (own work, 2011-2014, 55 x 80 cm, click on the image for an enlargement)

repeated from the previous post: the woman portraits made in this series share the name `notre dame des anges´. this is a reference to the `medieval´ spirituality i mentioned above. but the portraits are of course not a depiction of maria. they are intended as portraits of contemporary women emanating this type of spirituality which i find hard to describe.

in this series i experiment with all sorts of visual elements. georgia o'keeffe (one of my all-time favourite artists) said:

“I found I could say things with color and shapes that I couldn't say any other way - things I had no words for."

(o'keeffe is just amazing, as an artist and as a person, and fits very well in the subject of this post, but i will devote a separate post to her in the foreseeable future.)

anyway, in this post i will show some of my experiments using paint. you will see that i do not shy away from outsider-like techniques. at the same time, i'm also studying the human form and body, as a means of expressing spirituality, vulnerability, openness, unarmedness etc. (this will lead to a next post on nudity in art, and double standards in society)


notre dame des anges as outsider (own work, 2010, click on the image for an enlargement)


notre dame des anges (déshabillée) (own work, 2011, 50 x 90 cm, click on the image for an enlargement)


notre dame des anges at night ii (own work, 2010, 30 x 30 cm, click on the image for an enlargement)

the colours of the above work are impossible to photograph, it seems, so i have little hope that what appears on your screen resembles the original enough, sorry. the same actually holds in a somewhat lesser but still annoying degree for most of the works in this post...one day i will arrange for a really good camera, and really good lighting conditions.


notre dame des anges (curly red hair) (own work, 2008-2012, 30 x 30 cm, click on the image for an enlargement)


notre dame des anges at night i (own work, 2003-2009, 30 x 40 cm, click on the image for an enlargement) (i posted this one earlier)


notre dame des anges (green hair) (own work, 2003-2009, 30 x 40 cm, click on the image for an enlargement) (i posted this one earlier)

notre dame des anges: series of spiritual woman portraits

notre dame des anges (blue ballpoint) (own work, 2010, 21 x 30 cm, click on the image for an enlargement)

my discomfiture with our modern `enlightened' society runs deep. i hesitate to put all of it in writing, since negativism is so often frowned upon. i admit there is something to be said for positive suggestion how to improve, rather than `just' criticizing.

i intend to do some more criticizing also though (like in the previous post's drawing).

but on the positive side, i have been working, for years and years, on a series of `spiritual´ woman portraits...whatever that may mean. maybe it means something like: in the spirit of what i perceive as medieval spirituality connected to maria, mother of jesus.

i wrote earlier on this blog about the stunning 'mare de deu' sculptures from 13th-16th century catalonia. all very different, all very individual, all seemingly derived from real persons (in my eyes of course).

i also stated earlier that i'm not a fan of religion. but some form of spirituality seems to me the only way for humanity to pull itself out of the endless cycle of poverty, violence, greed, hate, war, ... you know.

so the woman portraits made in this series share the name `notre dame des anges´. this is a reference to the `medieval´ spirituality i mentioned above. but the portraits are of course not a depiction of maria. they are intended as portraits of contemporary women emanating this type of spirituality which i find hard to describe.

by the way, there is a similar series in the same vein, with man portraits, called `seigneur notre retraite´, referring in the same way to a `medieval´ spirituality i associate with jesus.

not being in favour of religion didn't stop me from being surprised to realize that religious art is being discriminated against, in the `contemporary art world´. someone pointed this out, i have to google to see who it was, will come back to you on this later. then again, as this same person pointed out, there are many art genres which are not considered `worthy´ by the contemporary art-world's elite.


notre dame des anges (bookcover) (own work, 2010, 19 x 28 cm, click on the image for an enlargement)


notre dame des anges (cutout) (own work, 2012, 21 x 30 cm, click on the image for an enlargement)


notre dame des anges (pencil) (own work, 2011, 21 x 30 cm, click on the image for an enlargement)


notre dame des anges (in red) (own work, 2010, 21 x 30 cm, click on the image for an enlargement)


detail of notre dame des anges (in red) (own work, 2010, 21 x 30 cm, click on the image for an enlargement)


notre dame des anges texting (own work, 2010, click on the image for an enlargement)(i posted this one earlier)

woman, man 6 (spirituality, adam and eve continued)

eve and adam separated by the roots of knowledge (own work, 2009, 21 x 30 cm, mixed media on paper)

just to keep the blog rolling a bit, one of today's drawings. the colours not totally accurate, perhaps i should try my old canon, see if it captures the colours better [have done so now, it is indeed a bit better].

this separation of woman and man sometimes really bugs me. it even seems totally normal that people divide humanity in two, drawing a big `thou shalt not cross' line between men and women. whereas gender is to me just an attribute, which when unemphasized leaves women and men the same: human.

gender discrimination seems so deeply rooted, and works both ways (in spite of what is popular belief these days, namely that only the women are being discriminated against). to me it seems that we all lose from these mechanisms.

strangely enough, i also drew a picture of a pregnant woman today...don't know if this logically fits what i wrote above.



expecting woman (own work, 2009, 21 x 30 cm, mixed media on paper)

mary & jesus on the road to damascus

mary & jesus on the road to damascus (own work, 21 x 30 cm, mixed media on paper, 2008)

coming from a christian culture, which produced a lot of beautiful art works centered around mary and jesus (my favourites especially are the mare de déu sculptures from catalunya), i find myself creating art works which draw on that tradition. they should not be seen as religious - i'm personally not a fan of whatsoever religion- but rather as a link to a universal spirituality which binds us all.

to be continued.

man woman spirituality 7: rembrandt's jewish bride

rembrandt van rijn, the jewish bride (around 1667)



rembrandt van rijn, the jewish bride (detail)

an interesting site on rembrandt's technique: northern light studio.

woman, man 5 (spirituality, eve & adam continued)

park encounter iii (own work, 2005, 15 x 24 cm, mixed media on paper)

just to keep the blog rolling a bit...i would like to do `a drawing a day' also, but i find that all this internet activity costs an amazing amount of energy, which i frequently don't have.

above a rather shy encounter...man woman noticing but not really acknowledging each other, although aware that each is aware of the other...

woman, man 4 (spirituality, eve & adam continued)

park encounter iv (own work, 2008, 20 x 30 cm, mixed media on paper)

well, not to lose the thread on spirituality, man and woman altogether in the storm of (post)postmodernism...

much of the famous art on man & woman seems to center around sexuality (i think i will visit sexuality also specifically, somewhere to come on this blog). but for me `woman & man' is even more reflective of a certain spiritual bond which -especially if humanity would evolve along lines that i deem spiritual progress- could also quite naturally exist between any two given people regardless of sex.

but in my experience it's usually that in the framework of `romantic love', which allows woman and man to come real close to each other, this closeness is acceptable, even sought after. whereas in other frameworks, people shy away.

a detail of the above drawing:



park encounter iv (detail, own work, 2008, mixed media on paper)

maybe i will find some time to go into this `mixed technique' and subject later on. the thread will be continued.

eve & adam 3, art, spirituality, michelangelo

michelangelo, sistine chapel the expulsion of adam and eve from paradise, for eating fruit from the tree of knowledge

to continue with the thread i was trying to weave...eve & adam, man & woman in art, spirituality...

but the influence from my other blog pitfalls of spirituality is still felt. to me, mankind in ignorance is not mankind in bliss. bliss is highly overrated anyway. a spiritual heart and an inquisitive, critical, intuitive, logical mind...is what will help us to slowly rise above our current condition humaine, is my belief.

the expulsion of adam and eve from paradise for eating fruit from the tree of knowledge? it is not knowledge that causes shame of sexuality, guilt, etc. etc. i would sooner blame religion for that.



the expulsion of adam and eve from the paradise of ignorance to the terrible pastures of knowledge (own work -perhaps still in progress-, 2008, mixed media on paper)

eve & adam 2, art, spirituality

the creation of adam and eve (own work, 2005, mixed media on paper)

i'm still neglecting this blog, for which i apologize (especially now that the blog attracts well over a 100 visitors a day). however, my other blog pitfalls of spirituality deals with about 16 subjects [19 pitfalls as of may 2009], of which i have now covered more than half. so in due time i should be back here with full attention.

actually, this split attention touches on the question what one can perceive as the role of art, and of artists, in society. my other blog deals with pitfalls of spirituality (see previous post for a link). but i find that out of this blog, images are coming to me, drawings, sculptural ideas, which perhaps carry a much directer message. which is critical in nature, just as the blog.

on the other hand, a lot of what i think of as `positive' spirituality has been playing a large role in my work ever since i started out as an artist, over 25 years ago.

and i would like to think that art can play a role in our uplifting. both emotionally, by providing beauty, solace,... and spiritually, by appealing to the level where we feel connected to other human beings.

therefore, art confronting us with suffering or abuse of people, might touch us in a way that a written report cannot. also,as another example, art showing the loving equality between woman and man might give some counterweight to all the stereotyping which we are confronted with from advertising and other outer-wrapping oriented endeavours.

this is my hope. i also believe it to be (and to have been) the hope of many other artists whose work can be classified as `spiritual' or `drawing on spiritual values'.


pablo picasso, boy watching woman (details unknown to me)

eve & adam, man & woman

eve & adam dancing with the animals (own work, 2008, mixed media on paper)

i've been neglecting this blog a bit, since my other blog pitfalls of spirituality is taking up more time than i intended. but one of the posts there has reminded me of a rather constant theme in art, and also in my own art: eve & adam, man & woman.

i would like to do a series of posts here, ranging widely, around this theme. although sexuality has some role, my intent is more of a spiritual nature. (as an important side note: although in my own work homosexuality doesn't feature very prominently, please don't think that i have anything against it. it's just that many of my works come from my subconscious, and it is only in retrospect that i notice they are mostly of a man-woman nature. in fact i think it would be good if spiritual same-sex love would be portrayed more often in art, as to form some counterbalance against the widespread discrimination of homosexuality.)

in the above drawing, i am probably as surprised as you to find eve and adam half dressed, with only the top half covered. have they already left paradise? one would think so, but they seem to rejoice nonetheless. and amongst the animals the snake is there too...

icarus & spiritual growth: two-edged sword

icarus shot down at night, own work 2006

i think the easily understood message of the icarus myth is: if you strive too high -egotistically- without regard for consequence and without a sense of balance, then you will crash. this seems actually the same as my `brave new world' feeling (science, apes fire) discussed in some previous posts.

but again i feel a bite to the story...in the sense that the above is very often abused by people to bring down `highflyers'. act normal, they say. why don't you do as we do? you probably think you're better than we, don't you. but you're just an icarus, and you will crash.

so the spiritual growth that mankind -imnsho- desperately needs, is also stunted by the resistance of the group to anyone who wants to rise to a higher level of spirituality. in that sense the story of icarus could easily be a false account.

what if icarus designed the wings, and flew high? people got jealous, angry, frustrated, frightened by this new power, afraid of their hard-won positions in which they had become entrenched, scared they might lose their standing, their wealth,...

...and therefore they shot him down at night, and covered it up with a good story of melting wings...

science: we are apes playing with fire

rembrandt van rijn, doctor faust (detail)

another aspect of brave new world & scientific progress: it seems to me we resemble apes playing with fire. we uncover and unleash forces more powerful than ever before unleashed by mankind. but we have not grown significantly in a spiritual sense these past thousand or so years.

so we are left with serious threats to life on the planet (and therefore our own existence) such as nuclear war or nuclear terrorism or other nuclear disaster, the creation (through genetic engineering) of life forms -perhaps viral perhaps not- which can wipe out ecosystems or more, toxic waste / global pollution, global warming, to name a few.

less known but potentially just as dangerous (in my eyes): the ongoing creation of nanomachinery, and physical experiments aiming at the creation of a black hole on earth.

i've begun a sculpture series called `The World Circus Proudly Presents!!!' , probably as a way to vent my incredulity at our common human stupidity in these matters. pennysmart, pounddumb about sums it up for me. whatever brilliant scientific discovery is made, it will be swept up into the vortex of human greed, arrogance, intolerance, unwillingness to see further consequences, personal gainseeking etc.

we desperately desperately need spiritual growth. much more & much more urgently than any other growth.


The World Circus Proudly Presents!: The Terrorist Turtles with their Nuclear Balancing Act on Top of their Twin Towers!!! (own work, 2006, 150 x 90 x 90 cm, turning mobile)