Showing posts with label artistic mastery. Show all posts
Showing posts with label artistic mastery. Show all posts

Thursday, November 29, 2012

again drawings (2): notre dame des anges and hans holbein

notre dame des anges, hand on heart ~ frank waaldijk
notre dame des anges, hand on heart (own work, 2012, 30 x 21 cm, click on the image for an enlargement)

notre dame des anges in blue dress ~ frank waaldijk
notre dame des anges in blue dress (own work, 2012, 30 x 21 cm, click on the image for an enlargement)

woman texting on the bed at night ~ frank waaldijk
woman texting on the bed at night (own work, 2011, 30 x 21 cm, click on the image for an enlargement)

what could be an artist's motivation to draw, in such quantities too? being an artist used to be a living :-), which raises the possibility that drawing is a money scheme :-). there are those who like to demystify the great artists of the past in this way. one of those great artists in my eyes is hans holbein the younger. i have never seen any work of his which did not cause me to pause in my tracks. the drawing below was made in 1526, but looks as fresh and poignant as if made today.

the strikingly demure pose, the colouring, well everything really...goes to show that drawing is not a money scheme but a deep inner compulsion to express, to portray, to touch upon the world especially also in the non-visible layers, through visual means.


hans holbein the younger, portrait of anna meyer
hans holbein the younger, portrait of anna meyer (1526)

and what about letting yourself be portrayed in this fashion? does that not show deep respect for the artist?

Sunday, November 28, 2010

intermezzo: digital self portrait 1

digital self portrait, own work
digital self portrait (own work 2010, click on the image for an enlargement).

i know, no relation to the previous post. but i wish to write more frequently, and there are still quite some subjects to tackle, like the possibilities of photoshop. an artist can use up multiple lives trying to master all the techniques available nowadays. nonetheless, visual training, or perhaps more specifically artistic training of one's own eyes remains the most vital key to mastering any technique in any worthwhile way, i believe.

something to come back to: the incredible amount of time and energy which i believe to be necessary in order to gain artistic mastery...in contrast to the sometimes limited time necessary to create a work of art.

anyone can create a wonderful work of art, i believe. many many people can be an artist, i think. but the time and energy needed to achieve artistic mastery will only be sacrificed by comparatively few people. this doesn't mean that works of art created by others are less magnificent necessarily...just less magnificent statistically.

this does explain why i occasionally find myself in awe of some unknown work of art created by `a complete nobody' (not in my eyes, you understand). and i very much enjoy being awed in such fashion.